Tag Archives: Idolatry

The Jewish View on Cards and Gambling

In this week’s parasha, Matot-Massei, we read how the Israelites were supposed to divide up the Holy Land between the Twelve Tribes:

And you shall inherit the land by lot according to your families; to the more [numerous] you shall give the more inheritance, and to the fewer you shall give the lesser inheritance; wherever the lot falls to any man, that shall be his…

We learn that the land of Israel was apportioned based on family size, with larger families logically receiving a larger share. Now, to determine which chunk of land a family would receive, the Israelites cast lots. The Talmud (Bava Batra 122a) describes how this was done: two urns were prepared, one containing the names of the Twelve Tribes, and the other containing the names of the various allotments of land. Elazar the High Priest would pick one name from each urn, thus designating a piece of land for a particular tribe.

Casting lots was very common in Biblical times, and is mentioned frequently in the Tanakh. For example, the Torah commands casting lots to determine which goat is sent to Azazel on Yom Kippur (Leviticus 16:8). In the Book of Jonah (1:7), the sailors on Jonah’s ship cast lots to determine who was guilty of causing the storm. In the time of King David, the kohanim were thus divided into 24 groups (I Chronicles 24). Haman cast lots to determine the best day to attack the Jews, and this is why the holiday is called “Purim”, since purim was the Persian word for “lots” (Esther 3:7).

Casting lots suggests a large degree of chance or randomness in the process. Yet, people of faith are naturally quite averse to the concept of random chance, for isn’t everything determined by God? Not surprisingly, the word “lot” (goral) also takes on the meaning of “fate” in the Tanakh. For instance, Isaiah (17:14) prophesies: “At evening there will be terror, and before morning they are not. This is the portion of them that spoil us, and the goral of them that rob us.” The ultimate fate of those that harm the Jewish people will be utter destruction. The Sages, too, were uncomfortable with the idea of dividing the Holy Land by seemingly random lots. They therefore stated (ibid.) that the lots were really just a show for the people to see what God intended. In reality:

Elazar was wearing the Urim and Tumim, while Joshua and all Israel stood before him… Animated by the Holy Spirit, he gave directions, exclaiming: “Zevulun” is coming up and the boundary lines of Acco are coming up with it. [Thereupon], he shook well the urn of the tribes and Zevulun came up in his hand. [Likewise] he shook well the urn of the boundaries and the boundary lines of Acco came up in his hand…

Elazar would prophetically see which tribe needed which land, and when he then shook the urns those exact pairs that he foresaw would emerge! So, the process was not random at all, but simply a materialization of the Divine Will. Still, the Sages insist that in the messianic era the Holy Land will not be apportioned through this method of casting lots, but rather “The Holy One, blessed be He, Himself, will divide it among them; for it is said [Ezekiel 48:29], ‘And these are their portions, says the Lord God.’”

If the Sages were not fond of casting random lots by chance, how would they feel about playing games of chance and gambling?

Gambling in the Talmud

In 1999 and 2000, the Muslim Waqf (Temple Mount authority) dug up 9000 tons of Temple Mount soil and unceremoniously dumped it in the Kidron Valley, creating one of the largest archaeological catastrophes in history. Thankfully, archaeologists did not give up on this precious soil, and began the “Temple Mount Sifting Project”. Among the many incredible finds are these Second Temple-era playing dice.

In a list of people that are ineligible to serve as witnesses or as judges, the Mishnah includes a mesachek b’kubia, a person who plays with dice, and mafrichei yonim, “pigeon flyers”. According to the Talmud, the latter most likely refers to people who bet on pigeon races, which were apparently common in those days. We know from historical sources that gambling with various dice games was very popular in Greek and Roman times. The Talmud (Sanhedrin 24b) goes on to discuss what the problem with such people is.

Rami bar Hama teaches that the issue with gambling is that it is essentially built on a lie: each player agrees to pay a certain sum of money if they lose, yet they hope (and fully intend) not to lose at all! That means the initial agreement made by the players is not even valid. The losing gambler is entirely dejected, and gives up their money reluctantly, often with a nagging feeling of being robbed or cheated out of their money.

Rav Sheshet disagrees. After all, there may be some people who are not so sad to part with their money, or are simply addicted to the game itself. Whatever the case, Rav Sheshet holds that gambling is inappropriate because it is a terribly unproductive waste of time, and the gambler contributes nothing to “the welfare of the world”. This is why, Rav Sheshet says, the Mishnah above concludes by saying that only a full-time gambler is prohibited, but one who has an actual job and just plays for fun on the side is permitted.

Nonetheless, Rav Yehudah holds that regardless of whether the gambler has an occupation or not, or whether he is a full-time player or not, a gambler is disqualified from being a kosher witness or judge. Rav Yehudah bases his statement on a related teaching of Rabbi Tarfon, and on this Rashi comments that a gambler is likened to a thief. The Midrash is even more vocal, saying that gamblers “calculate with their left hand, and press with their right, and rob and wrong one another” (Midrash Tehillim on Psalm 26:10).

The Talmud (Sanhedrin 25b) goes on to state that the prohibitions above don’t only refer to a literal dice-player, but any kind of gambler, including one who plays with pebbles (or checkers), and even with nuts. The Sages state that such a person is only readmitted when they do a complete repentance, and refuse to play the game even just for fun without any money!

Halachically-speaking, the Shulchan Arukh (Choshen Mishpat 370:2-3) first states that any kind of gambling is like theft and is forbidden, but then suggests that while it may not exactly be theft it is certainly a waste of time and not something anyone should engage in.

A Ban on Gambling

While the Talmud does not explicitly forbid gambling, later rabbis recognized its addictive nature and sought to ban the practice entirely. In 1628, for example, the rabbis of Venice issued a decree (to last six years) excommunicating any Jew who gambled. Part of the motivation for this decree was the case of Leon da Modena (Rabbi Yehudah Aryeh of Modena, 1571-1648).

Rabbi Leon Yehudah Aryeh da Modena

Born in Venice to a family of Sephardic exiles, da Modena went on to become a respected rabbi and the hazzan of Venice’s main synagogue for forty years. A noted scholar, he wrote about a dozen important treatises. In Magen v’Herev, he systematically tore down the major tenets of Christianity, while in Ari Nohem he sought to discredit Kabbalah and prove that the Zohar has no ancient or divine origin. (The latter is probably why he isn’t as well-known in Jewish circles today as he should be.)

In 1637, he published Historia de’riti hebraici, an overview of Judaism for the European world, meant to dispel myths about Judaism and quell anti-Semitism. Historians credit this with being the first Jewish text written for the non-Jewish world in over a millennium, since the time of Josephus. The book was incredibly popular, and played a key role in England’s readmitting Jews to the country in the 1650s (after having being expelled in 1290).

More pertinent to the present discussion, Rabbi da Modena wrote Sur miRa (“Desist from Evil”), outlining the problems with gambling. He would know, since he was horribly addicted to gambling himself. He wrote of this problem in his own autobiography, Chayei Yehudah. And because such a high-profile sage was a gambler, his rabbinic colleagues in Venice issued that decree to ban any form of gambling.

Rabbi da Modena’s game of choice was cards. At that point in time, playing cards had become wildly popular in Europe. First invented in China in the 9th century, playing cards slowly made their way across Asia, and reached Europe around 1365. They have remained popular ever since, both for gambling and non-gambling games. While it is clear from an halachic standpoint that card games involving money (like Poker or Blackjack) should not be played, is it permissible to play non-gambling card games (like Crazy Eights or Go Fish)?

At first glance, it may not seem like there should be a problem with this. Yet, some rabbis have recently spoken out against all playing cards. Usually, this prohibition is connected not to gambling or wasting time, but rather to cards’ apparent origins in idolatry or the dark arts. Although it is true that some types of cards are used in divination and fortune-telling, it is important to examine the matter in depth and determine whether cards really are associated with forbidden practices.

The History of Playing Cards

Mamluk Cards

The exact origins of cards are unclear. We do know that they come from China, where paper and printing were invented. Card games are attested to in Chinese texts as early as 868 CE. In the 12th and 13th centuries, the Muslims brought cards across Asia. They were particularly popular in Egypt during the Mamluk Sultanate (1250-1517). The Mamluks created the first modern-style deck of 52 cards with 4 suits. The suits were sticks, coins, swords, and cups. In the 15th century, Italians started to make cards of their own, with the suits being leaves, hearts, bells, and acorns. The French had three-leaf clovers for leaves, square tiles (or diamonds) for bells, and pikes for acorns. Although these suit symbols remained, the English names reflect the earlier suits of sticks (“clubs”) and swords (“spades”).

The Muslim Mamluks did not draw any faces on their court cards (since depicting faces in art is forbidden in Islam). The Europeans did not have this issue, and adapted the Muslim court cards of malik (king), malik na’ib (deputy king), and thani na’ib (second deputy) to king, queen, and prince or knight (“jack”). In 16th century France, the four kings were depicted as particular historical figures: the King of Spades was King David, the King of Clubs was Alexander the Great, the King of Hearts was Charlemagne, and the King of Diamonds was Julius (or Augustus) Caesar.

We see that playing cards have no origins in idolatry. The style of cards we know today were developed by staunchly monotheistic Muslims. They were further developed by mostly non-religious European renaissance printers, against the wishes of the Church which sought to ban cards on a number of occasions. Neither are playing cards known for being used in fortune-telling. However, a related type of card is used in divination today.

Tarot Cards and Kabbalah

In 15th century Italy, a different type of playing card developed. These were called trionfi, later tarocchi, and finally “tarot cards”. They, too, have four suits, but with 56 cards. These were, and still are, used for a number of different games, just like regular playing cards are. Outside of Europe, tarot cards are not well-known, and are generally associated with fortune-tellers.

In reality, the earliest mention of tarot cards being used in divination is only from 1750, and it was essentially unheard of until the late 19th century. Besides, most diviners actually use a different deck of 78 cards. Of course, such divination is entirely forbidden according to the Torah. So, it seems like some well-meaning rabbis have confused these tarot cards with regular playing cards. Ironically, many occultists actually claim that tarot cards come from Kabbalah!

The Tarot “Tree of Life” (Credit: Byzant.com)

These occultists tie the 22 additional divination cards to the 22 letters of the Hebrew alphabet and the 22 paths on the mystical “Tree of Life”. The ten numeral cards (naturally) correspond to the Ten Sefirot, while the four suits correspond to the four olamot, or universes. Finally, the four court cards and the ace represent the five partzufim (with the king and queen appropriately being Aba and Ima). While these parallels are neat, there is absolutely no known historical or textual basis to support these claims. Tarot cards have nothing to do with traditional Kabbalah or Jewish mysticism. (There is a concept in Kabbalah of a negative set of Ten Sefirot belonging to the Sitra Achra, so perhaps there is some connection between these tarot cards and certain evil spiritual forces.)

Having said all that, to forbid playing with cards (or even standard tarot cards) just because some people recently started using them in divination is like forbidding drinking coffee because some people recently started divining with coffee (a practice called “tassology” or “tasseography”). While playing cards copiously is certainly a waste of time, there is nothing wrong with the occasional—no gambling—game.

Ba’al HaTurim

It is fitting to end with the words of the Ba’al HaTurim (Rabbi Yakov ben Asher, c. 1269-1343) who writes in his commentary on the Torah (Tur HaAroch on Deuteronomy 1:1) that Moses himself cautioned Israel about gambling in his final speech before passing away:

Before Moses got ready to relate all these various commandments, he used the present opportunity, a few weeks before his death, to admonish the people, and to remind them of past sins, and how they had caused Hashem a lot of grief during these years. He reminded them how God had treated them by invoking His attribute of mercy and loving kindness time and again. He warned them not to become corrupt again by gambling… They should not rely on the fact that because they were human they were bound to err and sin from time to time and that God, knowing this, would overlook their trespasses.


The above is adapted from Garments of Light, Volume Two. Get the book here

Secrets of the Pesach Seder Plate

This Friday evening marks the start of Passover. At the Passover seder, it is customary to have a plate upon which all the symbolic Passover foods are placed. According to one arrangement, on the top right we place the zeroa bone; parallel to it on the left is an egg; then the maror (bitter herb) in the centre; the sweet charoset on the bottom right, opposite the karpas vegetable; and in the bottom centre the chazeret, horseradish or another serving of maror (which is used in the korech “sandwich”). In addition, we have three matzahs and the cup of wine, to be filled four times. What is the significance of these Pesach elements?

The zeroa represents the fact that God took us out of Egypt “with an outstretched arm” (b’zeroa netuya), as the Torah states. It also represents the korban pesach, the Pesach offering that would be brought and consumed in the days of the Temple. For this reason, it is best to have a zeroa from a lamb shank, since the Pesach offering was a lamb. The lamb itself was in commemoration of the fact that the Israelites smeared the blood of the lamb on their doorposts on the eve of their Exodus, to protect their homes from the tenth and final plague. It was a lamb in particular because the astrological sign for the month of Nisan is Aries, a ram or sheep. This is tied to Egyptian idolatry, where a number of Egyptian gods were depicted as ram-headed, or with the horns of a ram, including Khnum and Osiris. The slaughter of a lamb was thus symbolic of destroying the idols of Egypt, like the Ten Plagues themselves (see ‘The Ten Plagues: Destroying the Idols of Egypt’ in Garments of Light).

The egg symbolizes another offering brought on Passover: the chagigah, or holiday offering. This was the standard offering brought on all festivals in the days of the Temple. The reason that it is specifically an egg is because a whole egg is one of the foods traditionally consumed by mourners. (The round egg represents the cycle of life.) In this case, the egg is a symbol of mourning for the destruction of the Temple. Intriguingly, Rav Sherira Gaon (d. 1006) wrote how it is customary to eat meat, fish, and egg at the Pesach seder to represent the foods that will be eaten in the End of Days at the Feast of Mashiach. According to the Midrash, in that time the righteous will eat the fishy flesh of Leviathan, that great sea-dragon that Mashiach will slay; as well as the meat of the beast called Behemoth; and the egg of the mythical bird Ziz. So, eating an egg at the Pesach meal is symbolic of that future messianic feast.

‘Destruction of Leviathan’ by Gustav Doré

The maror famously represents the bitter oppression of the Jews, just as the Torah states that the Egyptians “embittered” (v’imareru) the lives of the Jews with mortar and brick, and hard labour (Exodus 1:14). The need to eat maror actually comes explicitly from the Torah, which commands that Jews should eat the Pesach offering together with matzah and bitter herbs (Exodus 12:8). The Mishnah (Pesachim 2:6) lists five possible maror herbs, though their identity is not entirely clear. The only one that appears to be undisputed is lettuce, and hence it is lettuce that is used for maror in Sephardic communities. Another possibility is that maror is horseradish—not the mustard-like sauce but an actual horseradish root (since maror must be a raw vegetable, as the Shulchan Arukh states in Orach Chaim 473:5). There are other traditions for maror’s identity as well.

Interestingly, the Midrash states that the consumption of maror on Pesach is one of the few things King Solomon did not understand! In Proverbs 30:18, Solomon wrote that “Three things are wondrous to me and four I do not know.” Although the passage continues to state what it is that Solomon wondered about, the Midrash (Vayikra Rabbah 30:14) has an alternate explanation: The three things wondrous to Solomon were the Pesach offering, matzah, and maror; and the four he didn’t know were the mysteries behind the four species of Sukkot!

The Mystery of Karpas and Charoset

The maror is dipped into the sweet charoset. This paste is meant to resemble the clay mortar that the Israelites used, or the mud that was baked into clay bricks. The word charoset comes from cheres, “clay”. There are vastly different traditions as to the ingredients of charoset. One tradition is to use the fruits mentioned in Shir HaShirim, the Song of Songs, among them: apples (2:3), figs (2:13), nuts (6:11), dates (7:7), wine (1:2), and cinnamon (4:14). The romantic lyrics of the Song are interpreted as an allegorical “love story” between God and Israel, and the fruits are used throughout the text in metaphorical fashion to describe that passionate love. It is particularly appropriate to use the Song of Songs recipe since it is customary to read the Song of Songs on the holiday of Pesach. (There are five megillot, “scrolls”, in the Tanakh, and each is read on a particular holiday: Shir HaShirim on Passover, Ruth on Shavuot, Eichah on Tisha b’Av, Kohelet on Sukkot, and Esther on Purim.)

Some have pointed out that charoset may have a Greek origin, as it was common…


The above is an excerpt from Garments of Light, Volume Two. To continue reading, get the book here

Should You Wear a Red String on Your Wrist?

Vestments of the kohen and kohen gadol

This week’s parasha, Tetzave, continues to outline the items necessary for the Mishkan, or Tabernacle, starting with the Menorah and going into a detailed description of the priestly vestments. One of the materials necessary for the holy garments is tola’at shani, commonly translated as “crimson wool”. This was a deep red fabric apparently derived from some kind of insect or worm (which is what the Hebrew “tola’at” means). The Torah speaks of this material in multiple places and in multiple contexts. Today, wearing a “tola’at shani”-like red string on the wrist has become very popular among those calling themselves “Kabbalists” and even by secular Jews and non-Jews. What is the significance of the red fibre, and is there any real spiritual meaning to the red string bracelet?

The First Red String

The earliest mention of a red string is in Genesis 38:27-30, where Tamar gives birth to her twin sons Peretz and Zerach:

And it came to pass in the time of her labour that, behold, twins were in her womb. And in her labour, one hand emerged, and the midwife took a red string [shani] and tied it to his hand saying, “This one came out first.” And he drew back his hand, and behold, his brother came out, and she said: “With what strength have you breached [paratz] yourself?” so his name was called Peretz. And afterward came out his brother that had the red string upon his hand, and his name was called Zerach.

Here, the red string is simply used to designate the firstborn. It didn’t work out as planned, for the other twin ended up coming first. The strong Peretz would go on to be the forefather of King David, and therefore Mashiach, who is sometimes called Ben Partzi. Clearly, wearing the red string wasn’t much of an effective charm for Zerach.

Temple Rituals

In addition to being used in the garments of the priests and various Temple vessels, tola’at shani was employed in a number of sacrificial rituals. In Leviticus 14 we read how someone who had healed from tzara’at, loosely translated as “leprosy”, would bring an offering of two birds which were dipped in a mixture containing the red dye. From this we see that tola’at shani (or shni tola’at, as it appears here) is not necessarily the string itself, but simply the red dye extracted from the insect. Similarly, the red dye was used in the preparation of the parah adumah, “Red Cow”, mixture (Numbers 19) which was used to purify the nation from the impurity of death.

The Talmud (Yoma 67a) describes how a red string was tied to the scapegoat on Yom Kippur. Recall that on Yom Kippur two goats were selected, one being slaughtered and the other being sent off into the wilderness, “to Azazel”. This “scapegoat” had a red string attached to it, and if the string turned white the people would know that their sins had been forgiven, as Isaiah 1:18 states: “…though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool.” Here, then, the red string represents the sin of the people, bound to the scapegoat going to Azazel. If it turned white, it was a good sign, whereas if the string remained red it meant God was unhappy with the nation. Indeed, the Talmud (Yoma 39b) states that in the last forty years before the Second Temple was destroyed, the red string never once turned white.

Red in Kabbalah

In mystical texts, red is typically the colour of Gevurah or Din, severity and judgement. It was therefore generally discouraged to wear red. The Kabbalists often wore garments of all white, and this is still the custom during the High Holidays, a time of particularly great judgement. It was only centuries later that the Chassidic rebbe known as Minchat Eliezer (Rabbi Chaim Elazar Spira of Munkacz, 1868-1937) wrote how having a red cloth may serve to ward off judgement and severity. Another Chassidic rebbe, the Be’er Moshe (Rabbi Moshe Stern of Debreczin, 1890-1971) wrote that he remembered seeing people wear red strings as a child, but did not know why. Still, this does not appear to have been a very popular practice then, nor is it much of a custom among Chassidim now.

1880 Illustration of Rachel’s Tomb

Rather, the red string today has been popularized by The Kabbalah Centre and similar “neo-Kabbalah” movements that cater as much to non-Jews as to secular Jews. The Kabbalah Centre explains that the bracelets are made by taking a long red thread and winding it around Rachel’s Tomb seven times. The thread is then cut into wrist-size lengths, and if worn on the “left wrist, we can receive a vital connection to the protective energies surrounding the tomb of Rachel.” It is not clear where The Kabbalah Centre took this practice from. They claim that the red string wards off the evil eye. While they cite certain passages from the Zohar regarding the evil eye, there doesn’t seem to be any connection to a red string specifically.

The Zohar (II, 139a) does state in one place that the blue tekhelet represents God’s Throne, as is well-known, which means judgement, whereas the red shani is what emerges from the Throne and overpowers the judgement, thus bringing protection upon Israel. The Zohar relates shani to Michael, the guardian angel of Israel, and uses the metaphor of a worm eating through everything to explain the tola’at shani as eating up negative judgement. This is why the famous song Eshet Chayil (Proverbs 31) states that a “woman of valour” has her whole house dressed in shanim (v. 21). She guards her household in this way. (It should be noted that in this passage the Zohar states it is gold which represents Gevurah, and silver represents Chessed. White and red, meanwhile, appear to be aspects within the sefirah of Yesod.)

So, perhaps there is something to wearing a red string.

Bringing Back Shani

The Zohar does not speak of any red string at all, and instead explains the mystical power of the red dye called shani. It is the dye itself that has power, as we see from the Temple rituals noted above. It is well-known that the blue tekhelet dye comes from a certain mollusc or sea snail called chilazon. From where does shani come?

A female and male cochineal bug.

Professor Zohar Amar of Bar Ilan University researched the subject in depth and concluded that tola’at shani is similar to the cochineal insect, famous for producing the red dye carmine (E120) which is extensively used in the food industry. After a round-the-world search, it turned out that a cochineal-like insect is found in Israel as well, and grows on oak trees.

While the cochineal insect is native to South America (where most of the carmine is still produced), its Mediterranean cousin is the oak-dwelling kermes insect. Indeed, kermes was used across the Mediterranean world for millennia, being particularly prized in Greek, Roman, and medieval society. It is best known for its ability to dye wool extremely well. Jerusalem’s Temple Institute was convinced of the professor’s findings, and has begun harvesting the bugs and their red dye in order to produce authentic priestly vestments, as outlined in the Torah.

In light of this, a genuine red string “kabbalah” bracelet—with the protective powers mentioned in the Zohar—would undoubtedly have to be made of wool dyed with kermes red. And according to the Zohar, it probably shouldn’t be worn on the left wrist at all, but instead on the right leg, the body part which the Zohar (II, 148a) states that shani corresponds to.

Imitating Pagans

Judaism is very sensitive about not imitating the ways of the pagans, or darkei Emori. One example of this, as we wrote in the past, is kapparot, which the Ramban (among others) called an idolatrous practice. The Tosefta (Shabbat, ch. 7) has a list of practices that are considered darkei Emori, and one of them is “tying a red string on one’s finger”. So, already two millennia ago it seems there were Jews tying red strings on their body, and the Tosefta (which is essentially equivalent to the Mishnah) forbids it.

The Hindu kalava looks suspiciously similar to the “kabbalah” red string.

In fact, Hinduism has a custom to wear a red string called kalava around one’s wrist in order to ward off evil. This is precisely what The Kabbalah Centre claims their red string accomplishes. Based on this alone it would be best to avoid wearing such a red string. The Lubavitcher Rebbe was one of the recent authorities who stated that the red string should not be worn due to darkei Emori. Factoring in that the red string has no basis in the Zohar or any traditional Jewish mystical text is all the more reason to stay away from this practice.


The above is an excerpt from Garments of Light, Volume Two. Get the book here